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17 Janvier 2021
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I have been a professional television editor for about 7 years. I started editing in high school, cutting short films I made with my friends. As a film student at USC, I didn't actually receive much formal instruction in regards to editing, but I was constantly cutting something, learning by osmosis. My first paid editing gig was at a non-profit called Invisible Children that produces a lot of documentary films, most famously KONY 2012. I got the job because I went to film school with two of the founders, and I learned a lot about storytelling while working with their uber-talented media team.
In 2008, I got my first reality television editing job as an overnight assistant editor position on an eminently forgettable program called Split Ends - think Wife Swap but with hair salons. I got that job because I knew the Post Coordinator and lied about how much experience I had with Avid Media Composer.
Five nights at freddys demo online. The old adage is true: Fake it till you make it.
Assistant editor work isn't especially difficult, and I learned quickly. After several more assistant jobs, I made the jump to editor on a low-rent Nickelodeon game show. In the years since, I have worked on dozens of TV shows, such as Top Chef, Masterchef, and Top Chef Masters - basically, if you put the words 'Chef,' 'Top,' and 'Master' in some order, I've edited at least a season of it. Currently, I am cutting the 4th season of MTV's #1 show, Catfish. And in between all these TV shows, I've edited an assortment of non-profit docs, TV pilots, 'sizzle reels,' and a number of short films, some of which I directed.
In the most basic sense, editors take all the raw footage from the field, sort through it, find the best material, and then put it all together into a cohesive story. In reality television, it's not uncommon for crews to roll 5 or 6 cameras simultaneously, sometimes for hours and hours at at time, so sorting through the footage becomes a herculean task. Fortunately, I have a lot of people helping me do that - transcribers, assistant editors, story assistants, and story producers - and I usually only have to watch a small fraction of the material.
As an editor is putting together a cut, she has to make big-picture decisions about story structure, plot, and character development while simultaneously making thousands and thousands of tiny decisions. Often the work comes down to things like bumping a shot 2 frames earlier or rolling a sound effect 6 frames later. It can be very tedious.
We start with 'stringouts' (very basic assemblies of scenes) that our story producers have created. Then we turn those into 'radio cuts' (focusing on the dialogue), and then put together several rough cuts, polish it into a serious of fine cuts, and, at the very end, after everything has been tweaked a hundred different ways, we get to 'picture lock,' and the edit is finished. After 'picture lock,' the episode goes off to 'Online,' where it gets 'uprezed' and color corrected, while a sound mixer makes it all sound nice. A typical job of mine lasts 3 or 4 months, and in that time I will probably work on 5 or 6 episodes.
Becoming a video editor is actually, in my estimation, a pretty realistic goal. In fact, I know an editor who self-published a book on Amazon titled something like, 'Reality TV Editing: The Easy to Get, High-Paying Job No One Knows About.' He's not wrong!
Although I went to film school, many of my colleagues did not. If you can teach yourself how to edit at home (and there are plenty of resources to help you), you can probably find people willing to pay you a little bit of money to edit a video or two, and you can certainly find people who'll ask you to work for free in exchange for credit. If you then manage to put together a bit of a resume, you should be able to talk your way into a production assistant job somewhere. At that point, if you are diligent and keep learning, you can eventually become an assistant editor. Finally, if you bide your time and don't seem crazy, someone will offer you a chance to become an editor. At that point, your career really depends on your network of former colleagues and supervisors, and if you are friendly and competent, eventually you'll stop having to look for work altogether, because it will come to you.
I know it's not polite to talk about money, but I think it is actually beneficial for freelancers to share salary information with each other, because the companies that hire us certainly won't be eager to show us their cards, and you can easily find yourself in a situation where you are making significantly less than your colleagues because you didn't know what to ask for. It happened to me a few times early in my career.
So, as a public service, I'm gonna play the whistleblower and share the following super-secret Hollywood insider information:
As a production assistant in Hollywood, you should be making at least $500/wk. Assistant editors, $1000-1500. For editors, $2000 is considered a bargain basement weekly salary. I currently make $3500/wk, or approximately $120-150,000 per year (depending on how many weeks a year I work). In the next year or so, I am hoping to bump my rate to an even $4000/wk, which is not unreasonable for someone with my experience.
In short, that guy with the Amazon book was right, it is high-paying job. I'm thankful for that.
My favorite things about my career are (in no particular order) :
- I get to be creative for a living
- I get paid well to do it
- I have assistants to help with the grunt work
- I generally work fairly reasonable hours (typically 10am - 7pm)
I'm a social, collaborative person, so the biggest challenge for me is that I spend most of my time alone in an edit bay. The uneven nature of being a freelancer can also be a challenge. You have to budget wisely, because you are constantly jumping from job to job, and you'll often end up with gaps between.
I'll also put in a word of caution about the future of the industry: Production companies are increasingly looking outside of New York and LA for editors, and outsourcing post-production to places like Austin and Nashville. That's great if you happen to live in those (very awesome) towns. But the outsourcing won't stop there. I wouldn't be surprised if editors begin to suffer the same plight as visual effects artists: work outsourced overseas, profit margins squeezed, companies going bankrupt. There will always be a market for top-quality editors, but, on the low end, pretty soon you'll be competing with Chinese editors with fast internet connections.
I would recommend that anyone who wants to be an editor learn Avid Media Composer. Although it seems like a dinosaur, it's still the dominant player in Hollywood. You can download a demo at home, or pay $50/month for a license.
You probably already figured out that if you want to be a YouTube Gamer you'll need to invest in a few things first. Capture cards and desktop microphones are a given, but you might not have realized that you're going to need some bad-ass editing software as well. With so many options, picking the best editing software for Let's Plays can be a little overwhelming.
We at FilmToolKit think that the best video editing software for Let's Plays is Adobe Premiere Pro. This article will briefly explain why, and also discuss the merits of the other great editing programs available out there. It's not the only option. There are many great alternatives that will suit you just fine. We'll be discussing the pros and cons of them briefly in a little bit.
Note: This is not a paid advertisement, but we are affiliated with Adobe. However, we have only chosen to be affiliates with them because we think that the Adobe Creative Suite is the best set of content creation tools available for YouTubers and small filmmakers.
Contents
There are many reasons why we chose Premiere as the best video editing software for gaming and lets plays.
YouTube channels, production studios and indie filmmakers everywhere use Adobe Premiere. This fact has many advantageous implications.
When I was getting started making videos, I did all my editing in either Final Cut or Vegas. One day I got a job at a small production company editing videos, and I was told I would need to learn to use Adobe Premiere. I was apprehensive at first, but after a 5 minute rundown with my supervisor, I was finding that I was able to edit even faster than I was in the editing software I thought I was comfortable with!
As mentioned before, tutorials for Premiere are everywhere, and have reached a point where the top ones are very well defined. You can simply open premiere, work with it's intuitive layout, and search tutorials on YouTube whenever you need to know how to do something.
The default shortcuts are very intuitive, and what's best about Premiere is that every single action you could possibly think of can be bound to a shortcut and customized. Your entire keyboard can be remapped, and some of the best professional editors will cut together entire films without their fingers ever leaving the keyboard.
Here's a quick 2 minute video showcasing 5 really popular shortcuts that editors use in Premiere to save lots of time.
You can even take actions that would typically take 3-4 clicks and bind them into macros, allowing you to drastically cut down your editing time.
Adobe Premiere is used by huge YouTubers like h3h3Productions and VideoGameDunkey, and was even used to edit massive feature films like Deadpool. It's easy enough for anyone to pick up, but also has the complexity to be used by industry professionals.
YouTube's top content creators use many products from the entire creative suite. Running a YouTube channel involves heavy usage of Photoshop, Illustrator, and, in many cases, After Effects. You can get these to work with any editing software, but no program will make the process as easy as Adobe Premiere.
Here's a short segment of one of the videos I made using a combination of After Effects, Photoshop, and Premiere.
The tracking of heads onto characters from popular culture is a trope that has been very well received in recent years, and is only made possible with Adobe After Effects. Adobe's incredible compatibility features allow you to simply drag and drop elements from one program into another.
Also popular with modern let's plays are fancy engaging text and other motion graphics. These all require Adobe After Effects as well. Photoshop is very important for putting together your eye-catching thumbnails, and Illustrator is an excellent tool for designing your own graphics. The Creative Suite is packed with best-in-its-class software, and they're all designed with each other in mind.
Adobe is constantly rolling out updates fixing bugs and adding features to all parts of the Adobe Creative Suite. Zip archive file. Premiere already has pretty much everything you would ever want out of an editing software, but each month there are still regular patches to fix issues that arise and make the software even easier to use.
Adobe products have a reputation for being very expensive. However, in recent years Adobe has taken steps to make parts of their creative suite much more affordable, especially if you're a student!
Here are the options you have.
If you are a student or have access to an .EDU email, you're eligible to subscribe to the entire creative suite for only $19.99 a month.
This is a huge discount, as normal people will have to pay $19.99 for only Premiere. This means a lot because you will have access to Illustrator and After Effects, allowing you to easily put together incredible motion graphics like the one below.
Although you may be strapped for cash as a student, this is really a worthwhile investment. The other programs in the creative suite are also very commonly used throughout universities, especially in art-based degrees.
If anything, ask your parents to buy it for you! (We're kidding.)
Of course, if you're not a student (or a friend of one), you can still purchase a monthly license for the full creative suite for the not-so-low price of $49.99 a month. Although the price tag may seem a bit hefty, it will definitely pay for itself in the long run. Honestly though, as a YouTuber you can probably get by without touching most of the creative suite. That's why we recommend going with the next option.
And finally, even without the student discount, $19.99 will net you a subscription to any single Adobe Creative Suite product of your choosing, including Adobe Premiere. Most of what is achievable in After Effects is doable in standalone Premiere with a bit more work, and there are many software alternatives you can use to craft your thumbnails.
Honestly, if your budget for your channel is small, just get Premiere by itself. Your money will have a greater return on investment if you purchase better YouTube gaming channel gear instead of the creative suite.
If you're editing on a Mac, Final Cut is every bit as good as Adobe Premiere. If you're already accustomed to Final Cut or already have it, it's not completely necessary that you make the switch over to Premiere.
If you're going to be collaborating with other YouTubers that happen to use Adobe Premiere Pro, both programs also have features that allow you to export XML files of your edits. This will allow you to move your project between the two programs with little hassle.
Even better, Final Cut Pro X is available for a one time $300 fee, which in the long run could save you money, as Adobe products can end up being quite pricey.
If you yourself are editing across both operating systems, we recommend sticking with Premiere, as you can open the project files across multiple machines in seconds.
Sony Vegas was once the holy grail of YouTube video editing programs. Personally I'm not the biggest fan – I tried it out back in the day and it just didn't seem very intuitive to me.
That being said, aside from the creative suite compatibility, Sony Vegas is a professional grade editing software capable of doing everything Final Cut and Adobe Premiere can do.
Let's not forget that Apple and Microsoft both have free editing software that comes with all of their computers. I got
If you want to just test the waters as a YouTuber and put out a few videos to gauge interest, Windows Movie Maker and iMovie have all the basics you need to cut and render your videos.
However, if you are looking to make a career out of your YouTube Lets Plays, we insist that you invest in a professional-grade editing software like Adobe Premiere, Sony Vegas, or Final Cut Pro X.
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